fxphd – DAV101: Introduction to Resolve on Mac OS X
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If you want a serious job in the post-production or gaming industries, in feature film or video ? locally or overseas ? or you want to produce your own work, the professors at fxphd will teach you the real world facts and techniques you need to know. Each course in fxphd is run by a practicing vfx or editing professional ? what we call a Professor. Each has been hand picked for the expert knowledge in the field. The professors come from a background of working on a wide variety of projects.
1 Resolveworkflow. Break down the configuration of the machine. Project options in specific the config page, the important aspects of having this setup correctly. Getting the materials into the system, navigating throughResolve to import and set up session accordingly. Using proxies.
2 Delving into the primary color correction with different functions.Importing footage using scene detect and EDLs as well as going furtherinto how nodes work.
3 The Color Room. This is where pretty much allaspects of your creative color correction will happen. We get to knowall aspects of this room, examining it in detail. With a solid workingknowledge of the Color room, we can branch out into creative moreinteresting and dynamic images. We will look more intensely intoqualifiers, keying, the timeline, still store and memory bins as well astalk about dynamics, blurring/sharpening and power windows. The room isa base for diving into tracking and creating custom windows to beginmore complex color corrections.
4 Primaries. Creating various looksvia primary color correction. Setting a look from the panel (joyball vs.master control dials). Curves and YSFX, chroma light/chroma dark.
5 We continue to explore power window tracking by diving into thecontrols to do advanced 3d tracking. We will utilize the auto tracker aswell by tracking an object frame by frame. At the same time, we addressfixing lighting changes and how to utilize power windows as we do this.We wrap up our in depth look into the Color room by showing how tobring in an external matte as a key source.
6 Conforming EDLs
7 R3D. Resolve has a bunch of cool handles to be used when you arespecifically color correcting Red files. In class 7, we take a look athow to use these on a scene by scene basis. We will cover the importantsteps not to forget, and why…and how using these tools can be evenmore effective than simply grading from basic Resolve controls. Althoughthe emphasis in this class is on working with Red footage we willalso apply some interesting looks to various scenes as we do this, toshow some interesting color effects we can apply after setting ourcourse from the red config page.
8 Simulate a session. Well go fullcircle simulating an actual session, from import of footage to renderout, concentrating on the art of color correcting by determining aspecific look and creating it throughout the spot. Additionally, we willcover the basics of working with 3D footage, how to configure it withinResolve and the specifics of working with stereoscopic film.
9 Wrap up covering the basics of Resolve by looking at Size and Scaling, ColorTrace, Remote Grading and PowerMastering.
10 We finish up with Resolve 101 by diving into the amazing creativecapabilities of this system. The Gallery and PowerGrade functions arepowerful tools, and we will create various looks that users can store,building a vault of effects which will become a valuable tool for eachsession
Davinci Resolve – Software & Training
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